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I have seen almost all of the Coen Brothers’ films, but Barton Fink (1991) continued to slip under the radar. And how? This is easily their most creative and inventive story! It follows John Turturro as the titular character, a neurotic young man who writes plays for the theater in the 1920s.

In Eddington, Mr. Aster takes the thrilling components of his horror efforts and reshapes them into a contemporary Western black comedy. A wild departure thematically from his other work, but it utilizes a lot of the tropes that he’s become famous for. The story surrounds the small town of Eddington, New Mexico, where a liberal mayor and a conservative sheriff go toe-to-toe over the political strife of the COVID-19 pandemic.

In the film community, the film is regarded as very controversial, with some sects praising its provocative nature, while others consider it a disgusting, borderline “snuff”-like piece of media. This polarization alone made me very curious. So, after much time of getting myself hyped up, along with an ice-cold six-pack of Miller Lite, I finally sat down to witness the endurance-horror that is Salo.

The story has been adapted to the screen at least twice, most famously by Spielberg in 2005. This time, they took the overdone “everything is on the computer screen” approach and stuck Ice Cube front and center to put on a show. But he does anything other than put on a show, he practically sounds like he's reading the script for the very first time with his finger dragging across the lines as he reads.

Since Whiplash (2014), Damien Chazelle has been at the top of my list when it comes to watching new releases. So, when it came out that he was making a three-hour epic about the pre-sound era of Hollywood, I was more than sold on the experience. That was until I actually got around to watching it and got to that fateful opening scene with the elephant. If you haven’t seen the film, I won’t spoil it here, but just know there is fecal matter involved.